Apparently, the V-shape leads to a vibrant sound however, there are no peer-reviewed studies on the subject. But, for a certain type of guitarist, it is the only way to go.īlues guitarists, such as Eric Clapton, and guitarists who place their thumb over the top of the fretboard find the V-shape more appropriate. And many guitarists have found the shape to be incompatible with their range of motion. The flat areas seem to limit hand rotation. This profile is similar to the thick U-profile, but with the edges lowered more, acquiring the shape of a soft V. This profile is typical of Fender Stratocaster models from the early 1960s. This shape is usually quite comfortable and versatile and plays well in any style. The profile is also called Oval and is quite similar in width to the D shape but presents a more rounded and uniform curvature between both sides of the fingerboard. One of the most popular neck profiles is the C profile. The difference between C Neck Shape and U Neck Shape Some manufacturers have their own profiles that can be categorized as a class of their own. There are many high-profile instruments with asymmetrical necks that some players really like. These profiles, and actually most profiles, have almost infinite variations depending on neck thickness, including the fretboard profile, scale, symmetry, and other factors. And from there, you can begin to understand how the V, D, and U profiles came into existence. In electric and acoustic guitars, the most common profile is a semicircle or a half oval. Here’s our complete Thin Guitar Neck guide. This type of profile can also be more comfortable to hold in the hand when setting up chords. On the other hand, for guitarists with large hands, a wide neck profile may be more comfortable than a thin one. But it can be difficult for players with small hands to comfortably span them. Wider or thicker necks provide a full-bodied sound with more sustain due to the density and stiffness of the neck. From these two cross-sections, a luthier can create profile templates (pieces of wood or other material to place on the neck as it is shaped). These differences are subtle and almost impossible to see when looking along the length of the shank. They are simple two-dimensional representations of a shape that is difficult to imagine otherwise. These cross-sections are essential for design and construction purposes. Variations in the shape and size of the two cross-sections can give the neck and guitar a different character, feel, and easiness to play. The term “profile” refers specifically to the cross-sections of the top (nut area) and bottom (heel area) of the neck (above the 17th fret). The term “profile” refers to the curved shape we would see if we were to cut the neck in the direction of the frets perpendicular to the truss rod. Asymmetrical profiles: This is a more customizable tendency, made for certain guitarists who like to reach the treble side of the neck for soloing, but also want to comfortable play barre chords at the top part of the neck.Symmetrical profiles: C, U, D, and V-shaped (also soft V or hard V).The neck shapes we will go over in this article are classified into two main groups:
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